In the 1880s, when prominent businessman and steamboat captain Thomas G. Ryman found salvation in the words of fiery evangelist Reverend Sam Jones, he vowed to build a great tabernacle that would project Rev. Jones's voice clearly and powerfully for all to hear. Designed by architect Hugh Cathcart Thompson in the Late Victorian Gothic Revival style popular at the time, Tom Ryman's vision became a reality with the completion of the Union Gospel Tabernacle in 1892. After his death in 1904, the Union Gospel Tabernacle would henceforth be known as the Ryman Auditorium in honor of the man who built the Nashville landmark.
As the largest structure in the area, the Ryman Auditorium soon became a popular place for community events, political rallies and popular turn-of the-century entertainment including operas, symphonies, bands, ballets and theatrical productions. In 1901, the Metropolitan Opera, for whom a stage was installed, put on special performances of Carmen and The Barber of Seville. Greats such as Ignacy Paderewski and Marian Anderson each performed five times at the Ryman during their long careers. John Philip Sousa, Enrico Caruso, Ethel Barrymore, Roy Rogers, Harry Houdini, Charlie Chaplin, W.C. Fields, Katharine Hepburn, Bob Hope, Mae West and even president Theodore Roosevelt all graced the Ryman stage. It was during these early years the Ryman became known as the "Carnegie Hall of the South."
While the Ryman was gaining recognition as an entertainment site, George D. Hay was creating a radio show that would become an international phenomenon - the Grand Ole OpryÂ®. In 1943, with crowds too big and too rowdy for other Nashville venues, the Opry found a home at the Ryman. For the next thirty-one years, the Ryman served as the premier stage for the Opry's live radio shows, which included such legends as Elvis Presley, Hank Williams, Johnny Cash, Marty Robbins, Minnie Pearl, Patsy Cline and Roy Acuff.
As the home of the Grand Ole Opry, the Ryman became inseparably linked to the origins and rise of the modern-day genre of country music. Dubbed The Mother Church of Country Music by Nashvillians, it's well known by this moniker today. The Ryman's famous stage is also known as the birthplace of Bluegrass. On December 8th, 1945, the definitive sound of Bluegrass was born when a twenty-one year old Earl Scruggs joined Bill Monroe on stage for the first time. The State of Tennessee has officially recognized the Ryman as the Birthplace of Bluegrass.
When the Opry moved to its new location in 1974, the Ryman continued to attract fans from around the world merely to step on the stage that had attracted so many greats. In 1994, an $8.5 million renovation project brought this National Historic Landmark back to its original splendor. Each of the original wooden pews was refinished. The stenciled artwork on the face of the balcony was painstakingly recreated. For the first time, proper dressing rooms were added which would ultimately be dedicated to the stars of the Ryman's rich musical past. The latest technology in sound, lighting and engineering was included throughout every phase of the project. Central heat and air conditioning were added for the first time as well as a 14,000 square foot support building for ticketing, offices, concessions and a gift shop. The result was a state-of-the-art performance hall praised by performers for its beauty and, most importantly, for its acoustics.
Since the renovation, the Ryman has hosted world-class performers ranging from Aretha Franklin to the Zac Brown Band and from Annie Lennox to ZZ Top. In addition to being a favorite stop for touring concerts, the Ryman continues to be a popular location for television and film productions. Cameras started bringing the Ryman into American living rooms during weekly Opry broadcasts in the 1950s and The Johnny Cash Show in the late 1960s. The building made cameos on the silver screen in Coal Miners Daughter in the 1970s. More recently the Ryman has been the featured location in television and film projects including American Idol, Levon Helm-Ramble at the Ryman, Neil Young's Heart of Gold and Norah Jones & the Handsome Band: Live in 2004. Many artists have taken advantage of the Ryman's superior acoustics to make live audio recordings including Earl Scruggs, Jonny Lang, Josh Turner, Marty Stuart and Robert Earl Keen. The famed auditorium also has been featured in the wildly popular Nashville Public Television special The Ryman: Mother Church of Country Music.
The Ryman was named the Pollstar's 2010, 2011, 2012 and 2013 Theatre of the Year, an award voted on by peers and widely regarded as the most prestigious in the concert industry. The Ryman has been named Theatre of the Year four times by the industry publication. The venue is currently ranked twenty-fifth in the world and nineteenth domestically based on year-to-date tickets sales in the Pollstar Theatre category. Other awards include Venue of the Year nods from both the Academy of Country Music, the International Entertainment Buyers Association and was recently named SRO Venue of the Year presented by CMA.
What brings performers to the Ryman Auditorium today is what attracted so many great entertainers throughout its history. The beauty of a well-seasoned performance hall, like that of a fine vintage instrument, cannot be reproduced. The Ryman's acoustics, built to project the voice of Sam Jones so long ago, are among the finest in the world. Today, the Ryman remains true to its diverse entertainment legacy, hosting concerts of all genres by a new generation of entertainers for a new generation of audiences.
We went to the Ryman Auditorium for an Amy Grant & Vince Gill Christmas Concert. The facility is very historic. It was clean and the staff was plentiful, helpful and very friendly. With the presence of children in the audience and especially at a Christmas program, my only complaint was in Mr. Gill's crude jokes and a few unnecessary choices of words. Other than that, the concert was very entertaining and included audience participation.
It was great to see the birthplace of Country music. The live program was great! The host (from WSM) and announcer kept us engaged. The variety of performers was perfect and awesome. Sing-along was fun. Only issue, wife wished there was another bathroom. Definitely would do again!
Great video presentation that explains a lot of the Auditorium's history. As a former architecture major I appreciated the mention of the building methods and walking the old building was fantastic. I can't wait to see a performance at the auditorium after having the tour.
Beautiful venue, it's background as a church designed to carry loud southern hymns mean the acoustics in a concert setting are superb. The drinks are ridiculously overpriced but that's standard for a venue. The small size leads to a very intimate setting meaning even if you've paid for cheap seats you've got a great view and you'll be way closer than you would be in a stadium setting.
Shows are great here. Seating is a little crowded and wooden bench is uncomfortable after sitting for a while. If you are average height or shorter you might have a hard time seeing the whole stage from the persons head in front of you blocking your view. Drinks are expensive as with any venue like this. Staff is wonderful and helpful.